A Study on the Marketing Strategies of Mainstream Film and Television Companies: Taking Marvel as an Example

Authors

  • Mia Williamson Author

DOI:

https://doi.org/10.61173/wy98jq29

Keywords:

Marketing, Film and Television Company, Marvel

Abstract

Marvel Entertainment, initially established in 1939 as Timely Publications, underwent a significant transformation in the 1960s under the creative guidance of Stan Lee, Jack Kirby, and Steve Ditko. The introduction of relatable superheroes such as Spider-Man, the X-Men, and the Avengers propelled Marvel to global recognition. These characters’ relatability, combined with their extraordinary abilities, allowed Marvel to transcend the comic book medium and expand into various entertainment domains. The pivotal moment in Marvel’s evolution came in 2009 when it was acquired by Disney for $4 billion, marking the beginning of the Marvel Cinematic Universe (MCU). This strategic move was financed by a daring $525 million loan from Merrill Lynch, enabling Marvel to bring its film production in-house and maintain creative autonomy. This decision not only allowed for a more cohesive storytelling approach but also resulted in a significant share of profits, contributing to the creation of blockbuster films that shattered box office records and cultivated a devoted fan following. Central to Marvel’s enduring success is its business model, which hinges on cross-media integration. This approach has allowed Marvel to weave a rich tapestry of stories and characters across different platforms, including movies, television series, video games, and an extensive range of merchandise. The interconnected nature of the MCU has fostered a sense of continuity and depth, encouraging fans to engage with the brand across multiple touchpoints.

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Published

2024-12-31

Issue

Section

Articles