As a classic piece of traditional Chinese drama, “Shi Wu Guan” features a vivid and gripping plot, particularly in its segment “Zhong Kuang Judges the Beheading.” This paper conducts a comparative analysis of the same work, “Shi Wu Guan”, by examining the artistic performance characteristics of Kunqu and Qinqiang. The study highlights the similarities and differences between these two versions in terms of character performance style, traditional musical forms, and the portrayal of emotions. Through this analysis, the paper aims to contribute to opera research and explore the enduring artistic charm of these operatic traditions, which transcend time and space.
